Awesome Con

Awesome Con

Published on by Clay Yount.

Hey guys, I'll have an artist's table at Awesome Con DC this weekend and I'll be selling a new book collecting the first year of Hamlet's Danish comics. It'll look something like this.

I'll also have cat map posters and comic prints. I hope to see you there, so please stop by and say hello!


On a side note, I know I've been on a comic hiatus for the past month. I've had a couple medical issues that kept me from drawing. Things are good again, so I'll have the new comic up shortly, and I'll be updating regularly again. Looking forward to year 2, and thanks to you guys for reading!

There's a New Site, and Everyone's Invited!

Published on by Clay Yount.

So you may have noticed the new site design. Usually a design update signifies nothing more than boredom on my part, but this time, there's a very good reason for the new look...

I’m releasing a Squarespace webcomic template!

If you are like me and want to use Squarespace instead of Wordpress or Tumblr to host your comic, but can't find any resources for webcomic artists, today is your lucky day! For those of you who aren't aware, Squarespace is a rock-solid web hosting/gorgeous content management system that, until now, has not had a template option customized for webcomic artists. I've spent my free time in the past few months putting together a template tailored to the needs of webcomic artists, and I'm bundling it together with a tutorial to explain the nuts and bolts of getting started. It's possible to get a site up and running in my template without any coding, but it also allows for 100% code control over HTML/CSS/JS if you want it.

For an idea of what a site built on the template looks like, this site is your example. It's built 100% off the template I'm releasing today. It has a mobile responsive design and flexible layout that can accomodate a ton of variety. So if you're like me, and love Squarespace, but couldn't find a solution for webcomic artists, give it a try, and see if it's for you.

Oh, and by the way, this template is FREE. I built it because I would have really liked to have it when I first started building my site, and I want to give that to other people. If you feel the need to compensate me, just spread the word about Hamlet's Danish!



Other Comics

Published on by Clay Yount.

In the time between when Rob and Elliot ended and Hamlet's Danish began, I drew a couple short comic stories for an online competition. It was a way for me to keep in practice, and to try and grow as a storyteller. They were based on a random subject chosen for the competition, so they are one off ideas that I don't plan on continuing. 

I realized that a lot of people who visit this site haven't seen them since they are buried on my artwork page, so I thought I would take the time to post them here. Hope you enjoy them!

See you at SPX!

Published on by Clay Yount.

I'll be at SPX Saturday and Sunday this weekend. If you're attending, please drop by and say hello! I'll be at table G8, right next to Ross Nover of Super Art Fight / System Comic, who was nice enought to sell me his extra space. Hamlet's Danish is still pretty new, so there isn't a lot of merchandise, but I did manage to print a small run of an issue collecting the first 24 strips.

I'll also be selling large prints of Edwin Scuttle's Cat Map

and finally, there will be prints of individual comic strips and some super discount double secret mystery merchandise. I hope to see some of you guys there!

Surface Pro 3 Review

Published on by Clay Yount.

Since Baby Yount was born, I've been concerned about maintaining my productivity. I'd heard somewhere that raising children eats into your free time, so I was looking for something that would allow me to make incremental progress on comics during my lunch breaks and whenever I couldn't be sitting at my home desk with my trusty Cintiq. I'd bought the original Surface Pro on super bargain discount, and while I liked it in theory, in practice it was too slow and frustrating to do anything more than lettering or some basic inking on the go. The Surface Pro 3 promised to fix the problems of its predecessors, and to be the convergence of portability and usability that I had always been looking for. So how does the reality stack up to expectations?

It isn't without its flaws, but the bottom line is that I absolutely LOVE this device. 

I'd never used the SP2, so the biggest and most immediate difference I noticed is the speed bump. Whereas the SP1 can be painfully slow, the SP3 is snappy and responsive, and using it is a real pleasure. It feels like it could be your main machine rather than something that you only use in a pinch, and it's not a compromise between a tablet and a laptop anymore. If you are coming from the SP2, you might not notice the speed bump as much, but to me it was pretty dramatic.

The second major improvement is the larger 12 inch screen with a 4:3 ratio. The 10.6 inch 16:9 ratio SP1 and SP2 screen was bordering on unusable. With the larger screen, you aren't fighting with the UI to wrangle enough drawing space. It also seems to have been tailor made for reading digital comics. They look absolutely gorgeous on this screen. Ditto for movies and web browsing. It's really beautiful.

The third huge improvement is the keyboard and hinge. You can now snap it into a stable position on your lap and fold down the screen enough for drawing, which gives you access to all the keyboard shortcuts on a full keyboard. No need for hotkeys, you have everything you need right at your fingertips, which vastly ups your speed with drawing programs. I will mention that I was previously using the touch cover with the SP1 which was less than useless for typing or key commands, so I don't know how much of an improvement it is over the older type cover, but the ability to use the keyboard for shortcuts while drawing is a game changer for me. 

Unfortunately, the pen is a mixed bag. Microsoft switched from using Wacom tech to N-Trig, and it isn't so much that they cheaped out (N-Trig's tech has some genuine benefits over Wacom) but the benefits they gained seem to be more for general purpose than drawing. The N-Trig pen tech allows for a thinner screen, which means less parallax, and it tracks a bit better than the Wacom in the corners, but the it also downgrades the pressure sensitivity from 1024 to 256 levels. I've seen some other reviewers say you won't notice the pressure level difference, but I definitely noticed it. It's not a deal breaker but you'll probably need to tweak some of your brush settings to get a familiar feel. The pen's system options are also very spartan right now, Microsoft has said they will add a pressure curve adjustment tool, but as of this writing, you can't configure the pressure sensitivity to your personal pressure range at a system level. The buttons on the pen also aren't programable anymore, so you lose quick access to an undo command on the pen, but if you are using the keyboard for shortcuts, it's not a big deal. Still, there's no reason not to have a pen button configuration option, and Microsoft needs to get on that. The useful eraser tip on the SP1 pen was replaced with a clicker that opens up One Note. You can't change the program it activates, and I'm a Google Docs user, so this isn't terribly useful for me, and I find myself accidentally clicking it while trying to put the pen in the pen loop.

Speaking of the pen loop, it is absolute garbage. It's just a sticker you attach to the cover, so it could come detached if you hit it the wrong way, and you could lose your pen. It's also an exercise in frustration trying to the get the pen in and out. I prefer just sliding the pen's hook into the cover fold, but you need to remember to remove the pen before you open it up for the cover to hinge correctly. The pen attachment system for the old SP1 wasn't much better, but this is definitely a downgrade. Hopefully they'll get it right next time.

The magnetic power cord attachment, on the other hand, is a big improvement. With the SP1/SP2 you needed to align it with absolute precision to get it to attach, but now it's as easy and convenient as a magsafe connector on a macbook. And the battery lasts almost as long as my iPad, which is really saying something considering they gave it a bigger screen and made it thinner and lighter. It's a remarkable feat of engineering.

I think the pen lag issue some reviewers noticed is a bit of an illusion. The problem isn't that the input lags, it's that the cursor lags independently of the input. If you move the pen to a position on the screen, the cursor will lag behind and it looks a bit slow, but if you put the pen down immediately and draw, the input will happen in the correct place before the cursor actually gets there. It's a bit weird, but in practice, when you are drawing there is not much practical lag, and it feels pretty natural, but if you are watching the cursor, it looks worse than it is, and waiting for the cursor to catch up for hover states is a drag. It's a bit of an annoying flaw, but it doesn't hinder productivity, which is the main concern. Also, I'm not saying there is no pen input lag, but it's not much worse than a Cintiq. Still, I'm hoping they'll fix the annoying cursor lag with a software update.

As a content consumption device it's miles way of its predecessors. It's light enough to hold with one hand comfortably, and did I mention how gorgeous the screen is? I think the real proof for me is that with the SP1, I was still using my old iPad 2 whenever I wanted to consume media. Since I got the SP3, my iPad is sitting unused collecting dust. As a drawing device, it's still not quite up to Cintiq standards, but it's not that far off either. I'm still a little faster drawing at my desk, but I honestly don't know if that's only because of familiarity.

TL;DR - Great, but there's some room for improvement.

4.5 out of 5.